I believe this is the
longest HH audio drama, clocking in at around 2 hours and 20 minutes, spanning
two CDs. While I guess most of the 60-80 minute audio dramas in the HH series
are the equivalent of a short story, 'Sword Of Truth' is closer to a novella.
It's read by Toby Longworth, John Banks and Ramon Tikram. Warning: even for a
PurpleHeresy review, this bitch be rotten with spoilers, so if you haven't
listened to this Audio Drama or read it in the new HH Scriptbook Vol. II,
probably don't read this.
GARRO! (not pictured) |
We open on the Somnus Citadel on Luna, with an engaging portrayal of Garro, brooding and preoccupied with the horrors of Isstvan and Calth. It serves as a nice recap of the HH events so far (though why the fuck you'd start with this audio drama I don't know) as well as Garro's story in particular, including the events of 'Flight Of The Eisenstein'. We also have a recap of 'Garro: Oath Of Moment', which is lucky, because I haven't got the CD, I don't plan to download it, and I may never do a review. (I have read the script though.) In brief, Garro went to Calth and fought Word Bearers and daemons alongside the Ultramarines and Imperial military. He also recruited a former Ultramarines Librarian, Tylos Rubio. Rubio is established as an uncertain, cautious character where Garro is already fairly intractable and unquestioning of his new masters. He doesn't want to turn his back on his former Legion and is haunted by the shame he felt breaking the Edict of Nikaea. This part of the drama is really well written. Also the soundtrack is brilliantly employed here, low-key and almost ambient, and the acoustics of the vocals really sound like they're in a giant, echoing chapel. Rubio is a bit quiet in the mix though, and remains so throughout the drama - perhaps a performance issue rather than a production one.
One of the main
things I like about the Garro stories is the little glimpses we’re treated to
of the earliest foundations of the Inquisition, so I was pleased at the moment
here where Rubio is presented with his new Knight Errant armour, grey and
featureless but for the 'I' sigil of Malcador (clearly quite similar to that of
the 40K Inquisition).
The Garro/Rubio
dynamic isn’t flawless. Early on here, the two comrades have already begun the
lengthy, pointless dance around Garro’s “heretical” beliefs. Garro is one of
the most prominent characters in the HH universe who is a devotee of the banned
Imperial Cult. This involves disobeying the atheistic nature of Imperial
society and venerating the Emperor as a god… a religion which will ironically
become the status quo in a few thousand years. As Rubio is able to read Garro’s
thoughts and emotions to some degree, but won’t fully probe his mind out of
respect for his privacy, he’s always slightly suspicious of Garro… but he never
quite gets to the point of openly accusing him, or actually, you know, doing
anything about it. Religious intolerance and the theological attitudes of the
Imperium were heavy themes of the early HH books, so I’m glad that some stories are carrying on with those
threads, but I’m still not sure if this story thread is actually going anywhere. (No end in sight,
several years later…)
We then meet our
initial antagonist, a Custodian Guard named Corarrin. He is arrogant,
aggressive, competitive and distrustful (especially of the fact Garro wishes to
employ a psyker). I’m pleased with Corarrin’s inclusion in the story. He is
described extensively and is quite a distinctive character, not just Generic
Custodes Dudeman. As we get to know him further, we get to understand his
motivations and why he's so abrasive. In a way, Corarrin seems to be a stand-in
for Rogal Dorn - he has similar attitudes, and he and Garro clash on similar
issues. I’m glad they did this, there’s only so many times Garro can think
“Jeez, I disagree with Dorn, but I’m physically incapable of speech around him
because homeboy is legit swole.” It’s cool that they put in someone for Garro
to bounce off of who can actually get
touched. We’re not at that stage yet, though. While Corrarin’s barely
hidden insults to the two Knights Errant are noted, Astartes apparently don't
feel comfortable speaking out openly against the actions of any Custodes.
However, Garro clearly doesn't want Corrarin’s arrogance to go unanswered, so
under the guise of a healthy training exercise, he engages the warrior in a
duel. A nice way to make the listener feel there's been some action while the
plot is still being established, and a well-written scene; we also get more of
a sense of Corarrin's character when we see his barely restrained fury at
losing to someone he clearly sees as inferior. Garro's fiery retort also shows
it's possible for him to be pushed too far.
So then, nearly 30
minutes in, the plot itself starts moving. A sizable fleet of
apparently Imperial vessels has entered the outskirts of the Sol system.
They claim to be refugees from Horus' betrayal. Corarrin views them with
suspicion, but Garro feels some kinship with their plight. They are led by the
'Daggerline', a World Eater frigate Garro recognises from Isstvan. A pressing
concern is the huge amount of civilians amongst them. These are the poor,
downtrodden bastards Garro is committed to protecting - but amongst so many,
can they be sure there are no agents of Horus present? We quickly learn that
Corarrin is just itching to destroy the entire fleet at the first time of
trouble. Moving to the fleet, and making contact with the 'Daggerline', we are
introduced to Macer Varren of the World Eaters. Varren is a plain-spoken,
passionate and quick-to-anger Legionary. Some ambiguity of characterisation may
have been an interesting idea, to keep you guessing where his loyalties lie,
but frankly it was hard to be suspicious of Varren for even a minute. Amongst
the other Astartes who can seem pompous and stuffy, he's a welcome breath of
fresh air, and you know there's no 'heel turn' in store for him.
We then meet the rest
of the Astartes that Varren bought with him, and here's where the cracks in the
drama (the story as well, to a lesser extent) start to show. Firstly, while
there are clearly a lot of Space Marines present, we are only introduced to a
few named characters, so we know that most of these guys are just superfluous
bullet-sponges. On the Daggerline are several groups of Astartes, but we just
meet their leaders. Rakishio (Rekitio?) of the Emperor's Children, who's kind
of a boring non-character (though there's a well-placed mislead where Rakishio
responds "I can't say" when asked about the fate of Saul Tarvitz, and
you wonder if he might be more than he appears) and also Hakim of the White
Scars. Remember the horrible scene in 'A Thousand Sons' where Yeseugi haltingly
speaks with a forced Asian accent at Nikaea? Well, James Swallow doesn't give
the Scars that horrendous broken English, but Heavy Entertainment decided to
make Hakim have a VERY strong accent. And it sounds really overdone, as Hakim
telling Garro that the Emperor's Children are planning something becomes
"THEY'AH PA-RANNING SAAAHMTHEENG". It's something of a pet hate of
mine, I don't think it's a bad idea for all the Legions to have a different
accent (rather than all of them sounding like they went to Eton) but this is on
the verge of pantomime. Not only is the accent strong, but effort seems to have
been made to put maximum sneer and sinister-ness into it. I really feel like a
much more restrained, less dramatic performance would have made Hakim's
character a little bit more ambiguous and less obviously a villain. And fuck
it, I'm gonna stop dancing around it: It seems racist, and built on negative
perceptions of Asians. I know some people are like "lol fagot why u mad
thats how they acshuly speak tho" but come on. The cynic in me says that they
listened patiently through a 'normal' take and then asked Ramon Tikram to
"do it really Chinesey" or something like that. At this point I
should say that despite my issues with his delivery, Hakim is actually a
well-written character at least, and the White Scar being the first character
that Corarrin shows actual respect (if not deference) is a nice moment.
Also. Here’s a tiny
detail that it’s kind of unfair to call out, but I will anyway. The story
states the varied Astartes and Custodes present hold the belief that the White
Scars have never shown anything but unswerving obedience and loyalty to the
Emperor; an attitude that the novel 'Scars' directly states was not common amongst the other Legions,
with many unsure of Jaghatai's loyalties and frustrated with what they
perceived as a wilful, disobedient streak in his character… and others openly
stating the V Legion would go to Horus' side. Later it's said that the Scars
have proven their loyalty in the civil war, again, something that's just not
true at this part of the HH timeline. (I guess this could take place after ‘Scars’,
though; ‘Sword Of Truth’ is never firmly placed in the timeline aside from
being after Calth.) In fairness, it's very likely that Chris Wraight's
treatment of the White Scars hadn't even begun to take shape at the time 'Sword
Of Truth' was written and recorded.
So without getting
too exhaustive in my overview of events, SHIT GETS DIRE pretty quick, with the
fleet of vessels feeling threatened and paranoid at the Custodes’ attitude
towards them, and all kinds of courtly intrigue shenanigans taking place and
dudes informing on each other all over the place. Things really hot up towards
the end of part one of this drama, with one of the vessels in the refugee fleet
desperately trying to run the blockade and being destroyed. With Garro now
seeing Corarrin as having civilian blood on his hands, their relationship
utterly disintegrates, while Rubio detects something dark and mysterious on the
transport which attempted flight. As part two begins, Garro and Varren have an
excellently written, excellently acted confrontation which adds more character
to their relationship. Varren is characterised as quick to anger, but there
doesn't seem to be the instability, or uncontrollable rage, that are brought on
by the Butchers' Nails. (Then again, later the implants are alluded to in
connection with Varren, and he bursts into a wild frenzy of killing.) The
growing friendship and respect between the Knight Errant and the World Eater is
nicely contrasted with Rakishio and Corarrin’s arrogance, and there's some
further development of Rubio as a character as his long-dormant Librarius
powers return to potency – but sadly, Rubio is probably the least utilised
character in this drama.
Due to a shocking plot
twist (or obvious misdirection if you prefer), the Emperor's Children are taken
into custody by the Custodian after a tense confrontation. While they aren't
really a focal point of this drama, their surrender shows the pre-corruption
III Legion's respect for the chain of command and faith in Imperial honour.
Both misplaced, as it turns out. As tension mounts, Rubio, Garro and Varren
unearth the TRUE mastermind behind the conspiracy (hint: it was the dude who
sounded like a fucking Scooby Doo villain.) As they try to warn Corarrin, Hakim
makes his move. It's a superb sequence and it makes you root for a character
you probably wanted to die not too long ago. It begins the last part of this
drama, which boasts a fair amount of twists and turns, and you've really got to
admire how well Hakim planned his gambit. Varren berating himself for not
realising the White Scars' treachery is one of the best-delivered moments in
the drama, but he needn't have worried. Those guys fooled everyone. (Yet
another reason that Hakim should have been performed more ambiguously.) The
only moment that takes me out of the story is when Hakim taunts Varren with the
revelation that all his World Eater command are dead. So an entire complement
of Astartes dies 'offscreen' with no apparent consequence. I find it hard to
believe that the XII Legion loyalists were all in small, disorganised groups,
as that seems like the only way they'd all be killed with no casualties to the
traitors, and it feels like if the V Legion complement outnumbered all the
others, we’d have been told about it…? Then again, Hakim has shown formidable
ingenuity in his plans, so maybe I'm not giving him enough credit.
While it's a bit of a
cliché, Hakim's "I'll tell you why I turned my cloak, BEFORE I KILL
YOU" moment does show a quite nicely-developed set of character
motivations, not just crazy ranting. It's also quite a nice foundation for the
events of 'Scars'. In the end the fact that 'Garro: Legion Of One' came out
before this is a bit of a spoiler (and I’m not really sure why that happened),
as the main characters are Varren, Garro and Rubio. So we know that they will
all come through safely. It does stretch the limits of credulity; actual
numbers aren't given, but it was implied that the traitor White Scars had them
heavily outnumbered. At least there's an attempt made to give a reason the
Knights Errant are able to escape (though it's pretty fucking stupid). It helps
that the soundtrack during the last battle scene is fucking cool! While this
might not have the best overall soundtrack of all BL audio dramas, it’s not far
off (as I said, the Somnus Citadel ambience is the highlight). Sometimes less
is more, though… And to wrap things up we get a nice Malcador cameo, Varren
'taking the grey', and Garro musing further on the terrible angsty times we
live in.
So what about the
voice acting? Apart from the one I harped on and on about earlier, it’s mostly
good. Rubio's voice acting is a little overdramatic and emotional. Garro's
voice acting is overdramatic in a good way, consistent with his fruity yelling
in the other audio dramas. You gotta have at least one super-hammy performance
in every BL audio drama, so there ya go. Corarrin is excellent, a perfect mix
of anger and confidence. I really liked the performance of Varren here, with
his aura of East End charm and expressive outbursts of anger. Rakishio is almost
comically bad, sounding like a posh bodybuilder with a heavy cold. But it’s all
tied together nicely by the narrator, who is nicely energetic without being too
over the top. Finally, the CD (or MP3 download if you prefer) has some great
cover art, with a heroic picture of Macer Varren taking centre stage (which
does look like he's escaped the visually distinctive implants of the Butchers
Nails).
Like I've said, there
are a few problems with 'Garro: Sword Of Truth'. My initial impressions were
not at all favourable, but each time I've listened to this again, my opinion of
it has improved. I'd say this might be the best Garro audio-drama, maybe even a
better Garro story as a whole than 'Flight Of The Eisenstein'. I honestly feel
that if the stories are this good, audio dramas this long are an excellent
idea. I give it 9/10, and I really hope we get more Garro soon, ideally penned
by Jim Swallow, and with Rubio and Varren back at his side. ('Garro: Shield Of Lies' coming soon though!) Oh, and I know I
say a lot that "Since (blank) dies offscreen, I bet they're alive!"
and it's getting a bit ridiculous, but I suspect we'll see Hakim again.
Especially considering the revelation that an unidentified ship escaped the
blockade and the chaos that broke out amongst the fleet… Hakim/Saul Tarvitz
team-up audio drama in 2015. YOU HEARD THIS COMPLETE LIE HERE FIRST FOLKS!
New to PurpleHeresy? Head on over to the index page to see a more chronological list of the Horus Heresy reviews on this blog.
New to PurpleHeresy? Head on over to the index page to see a more chronological list of the Horus Heresy reviews on this blog.