Short Fiction Round-Up Volume 2: "Distant Echoes of Old Night" by Rob Sanders / "Lost Sons" by James Swallow

Since I quite enjoyed writing the reviews for ‘Child of Night’ and ‘Daemonology’, I decided to write about some other ‘exclusive’ short stories Black Library has published. Usually, these are only available digitally, but with my new Kindle, reading eBooks is going to be a lot more enjoyable than using that lame-ass Magicscroll extension. Let’s see what I picked out this time.

Short Fiction Roundup: Now with 50% less skulls

‘Distant Echoes Of Old Night’ by Rob Sanders: As you might know, I’m a big Death Guard cheerleader (yikes, that’s a horrifying image) and I’m always eager to read more about Mortarion’s sons. So I was pleased to read this story, originally published in the ‘Games Day Anthology 2012/2013’, and so far not available to the public except in that book or as a download from BL’s website.

In this story we follow Death Guard Chaplain Murnau as he leads a group of Destroyer units on the forest moon Algonquis, seeking the remnants of an Imperial Fists force whose ship has crashed here. An engaging setup, and an excellent opportunity to see the 14^th Legion in action. You could argue that in the first four books we saw the Death Guard fight quite a few times, but I always felt they were lost among the other Legions in that context. Here, it’s all Death Guard. There are nice moments here, especially regarding the 14^th’s attitude to physical hardship and the way they fetishise endurance. The problem is, Rob has to convincingly deepen the culture of a Legion which has remained fairly unexplored, as well as showing hints about the Death Guard’s dark future, and (let’s not forget) tell a story at the same time. He probably would have been better off picking one thing and sticking to it.

So, the Legion hasn’t fallen yet; in fact, chronologically, they are the furthest off from their fall in the Big Four. But Rob still really goes in with the foreshadowing. In fact the signposting of the 14^th Legion’s fall to Grandfather Nurgle is awkwardly obvious at points. The Death Guard are fighting on a noisome swamp-world which was once a lush forest? Well, we’ve seen a Nurgle-dedicated ‘plague moon’ before, and it feels like the Death Guard probably are quite capable of war on other terrains. It’s well-established that the Death Guard bombard worlds with chemical weapons before they invade them, so, sure, fine. But it really feels like Rob picked a forest-heavy setting so he could trot out every well-established cliché about Nurgle. What about a desert? Or an urban environment? The setting choices here give me a lot of ‘False Gods’ and ‘Galaxy In Flames’ flashbacks and to be frank, those aren’t flashbacks I really want.

This story does, at least, succeed in showing an appropriate role for a Chaplain in a Traitor Legion that’s not the Word Bearers: motivating the troops and chewing up the scenery. Murnau is engagingly mental, but at times just seems like a silhouette with big devil horns, not exactly a fully fleshed-out character. He is also straight up preaching the gospel of Nurgle here, with his talk of “seeds of doubt [blooming] into gardens of darkness and despair” and his obvious enjoyment of the decay he witnesses in Algonquis’ ruined woods. I guess this could be a holdover from the culture of Barbarus and its harsh environment, but if that’s the case, I think it could have been explored much more interestingly. As for the rest of the Death Guard… fuck em. While the physical descriptions of the Destroyers were compelling writing, their actual personalities made little impact, and when they all start dying my reaction was generally “Wait, who was… was he the one with the… let me go back and check” rather than “Oh no, I hoped that guy would stick around for the sequel”. The narrative also starts in media res and ends a little abruptly. This detail, along with a few details around the Imperial actions here, makes me think that this was meant to be the beginning of a much longer Death Guard story or even novella (including the actual crash of the Fists vessel and more exploration of the Fists as characters) but then Rob went ‘ahh fuck it’ or Black Library said ‘nah bro’. Of course, this is all speculation and most likely total horseshit.

For a while ‘Distant Echoes’ was the best story available about post-Isstvan Death Guard action. Then those Forge World books came out and did a much better job of portraying the beginning of this Legion’s slide into corruption and madness. I’m not saying they’re superior in every way. ‘Distant Echoes’ is a story, not a scholarly essay about a military action: it’s arguably much more visceral than the Forge World material. Unfortunately, it suffers in comparison to ‘Scars’ and the newly published ‘Daemonology’: I feel Chris Wraight’s study of Mortarion’s prejudices and his instabilities is a much more telling document of the Death Guard’s character than this story. There are also moments where Rob Sanders’ writing slips into space-fantasy cliché: a ‘Battle For The Abyss’-style insistence on Murnau always “hissing” or “glaring” at his comrades makes him even more cartoonish. I’ll give this one solid point though: I really liked the Destroyer stuff here; while this is ostensibly a Death Guard story, it’s more convincing to call this a Destroyer story. I did also quite enjoy the downbeat nature of the ending. I had some feelings of ‘well, why the fuck did any of this matter then?’ but ultimately it was an appropriate finish for the story’s tone.

It’s funny, ‘The Serpent Beneath’ was such an efficiently-written, engaging bit of work which was brilliant at avoiding clichés (or rather, it used clichés from a genre other than space-fantasy/40K fiction) and I’ve found every other story by Rob to be so lacking in every way by comparison. This is probably one of his better efforts, but overall, it’s still a disappointment for a lot of reasons. 6/10

‘Lost Sons’ by James Swallow: Not to be confused with ‘Forgotten Sons’, this was a short story which followed on the heels of the controversial Blood Angels Horus Heresy novel ‘Fear to Tread’. It was published in the Black Library Weekender 2012 collection, and became available as an eBook in 2013.

Just because Jim is most associated with the Garro dramas in the Horus Heresy series, doesn’t mean that Nathaniel is the only Knight Errant he’ll focus on. Here, we get a Rubio story! Well, still more of a Blood Angels story, but Rubio is in it. Our main character is the IX Legionary Warden Arkad, who is frustrated with his duties; the stewardship of Baal is a wearisome duty for someone who would rather be out in the cosmos winning glory with his Legion. But it’s more than boredom Arkad has to contend with. He and nineteen of his brothers have watched over the Blood Angels’ homeworld for the past five years, since Sanguinius departed for the Signus Cluster. Three years ago, word reached them of Horus’ rebellion. No word has yet reached them from Sanguinius or any of their brothers, cut off from them by the Ruinstorm. They know the spirit of their orders was false, but they don’t want to disobey the last command from their Primarch. So they wait, slowly going mad with frustration. Until finally, a starship approaches, and a warrior with grey, unadorned armour lands on Baal, claiming to bring orders from the Regent of Terra. The Knight Errant, Librarian Tylos Rubio, carries a black scroll, the sign of the disbanding of a Legion (something which “twice before [has been] delivered to the homeworld of a Legiones Astartes” – damn!). Malcador’s reasoning for this is brutal, but sound. Yet there’s no way these proud Blood Angels will accept being sidelined again – will their continuing loyalty to their Primarch drive them to take up arms against a loyal agent of the Imperium?

I’ve kind of spoiled 95% of the story there, so why stop? ‘Lost Sons’ ends its tense standoff with word from Raldoron reaching Baal: Sanguinius is alive, and the Legion is battered but intact. The Blood Angels rejoice, and send Rubio on his way with no bloodshed.

The format of ‘Lost Sons’ – monologues committed to tape by Arkad as his frustration grows – really seems suited to an audio drama; I’d love to hear what Ramon Tikaram could do with this as a script. Adding to its ‘documentary’ feeling, we also get the text of the fateful order from Horus which sent Sanguinius to the Signus cluster. But don’t let me imply it’s bad as a written short story, because I really think it’s one of the best in the series. Jim really does well at capturing the anguish and annoyance of Arkad and his brothers at their situation, but also the nobility and humanity of the IX. There are a few sly nods towards the future of the Legion, too: It’s shown that Baal’s guardians have had visions of the horrific mauling of their Legion and Primarch by Ka’bandha and his daemonic horde – the Blood Angels’ psychic bond to their Primarch, especially in his darkest moments, will ultimately be their doom, so it’s kind of chilling to have that signposted here. The Death Company foreshadowing is a little heavy-handed, but it’s also really effective (you can almost hear the dramatic music swell as the black-armoured Blood Angels face down Rubio). This also has a small teaser for ‘Garro: Shield of Lies’ which I didn’t catch on my first reading. Overall, proof that Jim Swallow has a good grasp on the wider context of the Heresy series and isn’t just blindly churning stuff out. So what about Jim’s ‘other’ flagship storyline, the Knights Errant? As a character, Rubio continues to not really grab my imagination so much as Garro or Varren do – the reason I like him in the audios is that I dig his whispery emo performances. Yet he’s nicely built upon here; there’s a steel to him we sometimes don’t see when Garro is overshadowing him. I have faith he will continue to become an interesting character, if given the space to spread his wings.

At the risk of repeating myself I’m feeling more and more that short stories are the best use of Jim’s talents – though his audio work is great, ‘All That Remains’, ‘Gunsight’ and ‘Lost Sons’ are some of the very best Heresy material of the last few years. It’s a bit of a shame he may not do another Heresy novel but as long as he’s doing short stories I can’t complain. Here’s hoping that Swallow gives Rubio some more shine in the next Knight Errant story – though I’d actually prefer if Varren got a ‘solo’ mission (he’s the only ‘main’ Knight who hasn’t got any short story love). And if he cedes the Blood Angels Heresy stuff to Andy Smillie, well, that’ll probably mean more love for the Garro storyline, so it’s all good.

‘Lost Sons’ takes a little vignette which on the surface seems to be of little import, and masterfully turns it into a meditation on the Blood Angels as good as any published in the Heresy series. I know Swallow gets a fair bit of hate from Blood Angels fans, not least for ‘Fear to Tread’, but haters could do worse than giving this story a chance – I think it’s a very distinctive offering, higher-quality writing than ‘Fear to Tread’ which I did enjoy but which was quite straightforward. Here, Jim has addressed my main issue with ‘Fear to Tread’: that the Blood Angels’ personality often didn’t come through. This is different; this is IX Legion to the very core. 9/10

Boo-hoo, my Primarch died, waaah waaaah

So, the Blood Angels and the Death Guard. Two Legions which many would argue haven’t got their due in the Horus Heresy series. Things will probably continue to be pretty bleak with the Death Guard, as rumour has it there’ll be no XIV Legion novel in 2015. As a staunch Mortarion fan I’ll keep holding out (with an obligatory air of grim pessimism) for a Chris Wraight-penned Death Guard book but if that does happen, it won’t be for a while. How about the sons of Sanguinius? Many fans of those David Boreanaz-ass motherfuckers are rejoicing at the news that Andy Smillie seems to be taking a strong hand in the Imperium Secundus arc, and of course, ‘Dreadwing’ will likely feature an Abnett-written Sanguinius heavily. Something I’m definitely looking forward to, as Dan has always brought something new to Primarchs he depicts, and Andy has written some pretty great Blood Angels/Flesh Tearers stuff for 40K. Yet I never thought Jim Swallow was a bad fit for the Blood Angels (well, I’ve given both of his BA HH offerings 9/10). I’ll bow to popular opinion that perhaps he disrespects the fluff but I’ve always considered the quality of his writing to be sound. It’s just a shame the Blood Angels have been pretty much absent from most of the HH series – but perhaps that’s because they didn’t have much to do yet. As we move into the second stage of Imperium Secundus, this may very well change…

"Mechanicum" by Graham McNeill

It’s weird to think that this book is six years old already, appearing a year after prequel ‘The Kaban Project’ showed up in a Games Day chapbook. I re-read that story as a palate-cleanser before leaping into ‘Mechanicum’, and I’m still not really sold on it… but my memory of ‘Mechanicum’ is mostly positive, perhaps even "the point at which Graham got good". Let’s see how my second read-through of this book (first read-through in a few years), leaves me feeling.

"Hah! Now I'll never lose my assault cannon again... Oh, fuck. I've only gone and glued my hand to my chest!"

The Mechanicum, then. A very different organisation to the Adeptus Mechanicus of ‘modern’ times. Early on in the book, it's described as “competitive, uncooperative, suspicious and insular”. It’s a bit of a mystery, and as you might have gathered from the title, this book features the organisation heavily. So how does it do at presenting this force (in some ways as significant in the Heresy as the Legiones Astartes)? Wellllllll…

I’d forgotten that the ostensible main character is a woman, Dalia Cythera. Considering how female characters have tended to fare in Graham’s HH novels, this might be a bad sign. Right off the bat, we learn that she’s a teenage prodigy with a photographic memory. Awful visions of a Graham-penned Lisbeth Salander occurred me, but that’s not something that happens here luckily (though she does have the Repressed Psyker trait, long before it became a ridiculously common plot device in HH). However, we do start with a bit of a howler: Mistress Zeth, our heroine’s apparent benefactor, is based in a forge complex built on a lake of magma. I mean, even in the frequently nonsensical universe of 40K, this seems like a stupid thing to do. Graham can try to cover that one with pseudo-science but amongst all the robots built using human corpses and spaceships that look like city-sized cathedrals, this really stands out as a bad idea. I’m sure it won’t be used as a convenient plot device in the shocking finale.

Simultaneous to the introduction of Dalia, a group of three patrolling Knight Paladins encounter the Kaban Machine as it attacks a facility they are defending. This section reminds me that Graham is great at writing mechanised combat sequences and also gives us some background: political and ideological tensions have been growing on Mars, but not to the point that armed conflict between two elements of the Mechanicum isn’t a huge shock to these Knights. In the aftermath of the Kaban Machine conflict, we see a council of Titan Legio commanders assemble in the hopes of averting a disaster. This is another great scene that gives us further insight into the culture of the rival Titan factions, particularly the arrogant, sinister Legio Mortis. I know I often complain when a HH character is unambiguously villainous from the beginning, sapping their betrayal of any dramatic weight, but goddamn, Graham has made a satisfyingly evil antagonist here.

With that, Graham’s set up the two narratives he’s going to flick between for the rest of the book. The growing hostility between the Martian factions, and Dalia’s quest to DO A THING with the help of her plucky team of misfits. Dalia’s colleagues are nowhere near as engaging as I’d remembered, and they’re all fairly shallow and archetypal. For example, Zouche is an example of the fantasy Dwarf, going beyond his diminutive height; bellicose, bluff, tactless. I chose him as an example because he’s the only one whose backstory and motivations are interesting (actually, it provides a really useful insight to pre-Unity Terra). The rest of them are just pretty boring. Dalia herself quickly becomes a bit of a damsel. For example, when she’s motivated by empathy to save a psyker caught in an experiment gone wrong, she just makes the situation worse. Her intent is admirable but her actions are truly fucking stupid and all the screaming and crying just makes me think of that dreadful character in ‘Honour to the Dead’. That dumb incident, though, does set the narrative lurching forward. Given a terrifying glimpse of forbidden knowledge, Dalia now develops her own agenda.

Scrapcode plays an important part in ‘Mechanicum’, though the way it shows Kelbor-Hal’s corruption through AN EVUL CHAOS COMPUTAR VIRAS is pretty dumb. But the spread of devastation across Mars caused by the code is nicely done. There’s a great, tense scene showing a Titan confrontation with the first combat use of the corrupted scrapcode. Abnett did write this better in ‘Know No Fear’ – but still, the High Noon-style standoff between Legio Tempestus and Legio Mortis is a great moment.

I’ve used the ‘d’ word earlier in the review. Let me just take an overly long detour to elaborate on this ‘damsel’ thing. Like many of Graham’s female characters, Dalia just wants a big strong man to hold her and tell her it’s all OK. Am I exaggerating? A little bit, but not much. On reading Dalia’s sections of the book, my main feeling was “I really don’t remember it being this bad”. (Then again, I also remember the techno-friends’ dragonquest road trip being most of the book, while it actually doesn’t even start until over halfway through, so my memory is clearly unreliable.) She’s mostly capable and useful in a support capacity… but when there IS a combat situation, Dalia loses her shit. I’m torn on whether to condemn this or not. On the one hand, a standard human non-combatant without any kind of combat training would probably be utterly terrified if huge evil robots were trying to kill them. So maybe I should applaud Graham for realistic character actions. But from another perspective, this focuses so much on a female character’s weeping hysterics that it comes close to being a defining trait. 

I’m not saying a conscious decision has been made to show that women are weaker or more cowardly than men… but that’s the message I get, especially when her male companions’ response (also fear) is barely focused on. Compare to, say, Abnett in the Gaunt’s Ghosts series, where he is excellent at showing the bowel-destroying fear troopers both male and female encounter in combat: the portrayal is a lot more subtle and even-handed and, to my recollection, never falls back to simplistic pantomime overreactions. Yeah, yeah, not every writer can be Dan, and not every reader gives a fuck about this aspect of 40K; in fact from what I can tell, a lot of Black Library fans are deeply resentful of any ‘agenda’ they suspect of being pushed regarding gender equality in the grim darkness on the future. But this goes beyond my flag-waving political correctness, it’s just lazy character writing. I think Graham’s come a long way with this stuff for sure, but that doesn’t make this, ‘Fulgrim’ or ‘False Gods’ any less tough to read. I absolutely do give him credit for Adept Zeth though: she illustrates that Graham makes no distinction between the men and women of the Mechanicum. It's a shame, then, that she's barely developed as a character, only having time for a few interesting hints of something more to her than there first appears before her premature end.

That’s just a little lecture about the evils of gender role stereotyping comin’ to you from a guy who listens mostly to misogynistic rap music and is scared to even talk to women. Fuck this blog, right?

In the last part of the novel, we see the long-promised civil war finally erupt on Mars. The rise of Kelbor-Hal’s ‘Dark Mechanicum’, while lacking any subtlety, gives us some great scenes. The repercussions are felt even on Terra, where Malcador and Dorn worry about Mars even as they resolve to first squash Horus at Isstvan V. (Dorn and the Sigillite’s portrayal as close confidants here is certainly at odds with what’s come since – but that’s something which understandably happens a fair bit in these early books.) I loved that brief mention of Sor Talgron's creepy machinations; it feels like ‘The Purge’ was in the pipeline for years, perhaps ADB’s Word Bearer domination delayed it a bit?

After a spectacular Titan battle, the book ends, quite suddenly. My feeling is that Dalia’s fate is a setup for some 40K novel or event (possibly even Graham’s ‘Mars’ series, which I’ve not started yet) since it certainly doesn’t look like it’ll have any future relevance for the Horus Heresy. When thinking back on that section of the book, then, it’s hard to restrain the feeling of “who gives a fuck?” Like ‘Nemesis’, that’d be fine if the story was original or interesting to act as a ‘standalone’, but to be brutally honest, I just don’t think it’s strong enough. Meanwhile, the Civil War thread spends most of its time building agendas and characters embroiled in this power struggle, only to ultimately murder most of them in a riot of Forge-destroying violence. Graham has a tendency to do this with his characters; see the III Legion officers in ‘Angel Exterminatus’. I applaud him for killing almost indiscriminately – this is WAR, after all – but couldn’t he leave some room for series-spanning character arcs? With the Loyalist forces near-annihilated, I don’t know this ‘war’ will continue, but keep in mind this was only a snapshot of the conflict focusing on a ‘small’ but significant part of Mars. Ultimately, we leave ‘Mechanicum’ with a fairly limited context for how the planet-wide struggle is going.

Through this book, Graham’s dialogue is sometimes a little shaky. For someone who’s keen on characters making some big, portentous speeches, there are a few too many “fair enough”s and “I suppose”s here; the casual nature of it seems forced, and context-inappropriate. But that’s a minor issue. The structure of ‘Mechanicum’ is not dissimilar to ‘Deliverance Lost’, in that full-blown action only occurs near the end of the book. Possibly encouraged by ‘Legion’, this book skirts a cautious acceptance that BL readers don’t need a battle every fifty pages to maintain their interest.

There is dumbness galore here, not on ‘Battle For The Abyss’ levels, but sometimes close. Kelbor-Hal’s rather literal manifestation of ‘corrupted data’ calls for Michael Biehn to blast him with a shotgun and rasp “needs a reboot” or “reformat THIS, sucker!” or similar. Something about Graham’s books, especially during this era, screams “80s action movie”. Often really dumb and fun to read, but sometimes you find yourself thinking “That’s some fucking stupid shit.” The ancient Adept our heroes meet on their quest for the Dragon of Mars is dripping with ‘Writing for Nutsos 101’ clichés to the extent that I’m surprised he doesn’t shriek “Mad! They called me mad! Blind fools!” Mind you, sometimes the craziness is a boon. For example, the bizarre story of how the Dragon of Mars was imprisoned by the Emperor and how it’s linked to the origins of the Imperium… it’s so bonkers I’ve actually got to love it. Oh, apparently, most readers more au fait with the current 40K fluff than me concluded from hints in the book that the Dragon was actually a C’Tan. I don’t really know what that means or give that much of a fuck, I just thought I’d mention it.

As usual for a Graham book early in the Heresy series, criticism can be made of the lack of character ambiguity. Kelbor-Hal and his cronies are never less than loathsome; Adept Zeth, while occasionally heartless, is pure as snow when it comes to loyalty to the Imperium. Consider Deltrian, the Adept in the Night Lords series by ADB – that was a character whose portrayal showed clearly the Mechanicum was about as subject to black and white notions of “good” and “evil” as the shadowy upper echelons of the Imperium were. To show either side as cackling monsters or stern-faced saints seems to cheapen the schism a bit.

You might be able to tell how this is going from all this complaining. Sadly, re-reading ‘Mechanicum’ was less enjoyable than I had hoped. Perhaps the first time I read it I was relieved at the slight uptick in quality compared to ‘Fulgrim’ and ‘False Gods’ – after all, this time Graham wasn’t shitting all over characters Dan had written brilliantly. Yet at a second glance, his characterisation and dialogue hadn’t got any less shallow. The book also takes a great deal longer to get started than I remember; while I do like the intrigue of the Martian power moves, I don’t think Dalia and co. turn out to be worth the time spent on them. Only Zouche is interesting and the weird blink-and-you’ll-miss-it hint that he might have a deeper, more sinister agenda makes me hope we’ll see him again.

And speaking of that...

I’m still very interested in the Mechanicum storyline in HH and it’s a real shame it’s been dormant this long. Like most early HH Graham books, I can’t help but wish Graham had put the good bits (notably the Titan and Knight combat) in a novella and someone else had tackled the bits which called for more subtlety, like the actual culture of the Martian priests, or the behind-the-curtain political manoeuvres of Horus’ emissaries, or the motivations of Kelbor-Hal for revolt (beyond a couple sloppy pages which are the equivalent of some asshole saying "WE'LL GIVE YOU GOLD!"). I’m ‘bout to throw out some dream roster shit. David Annandale would have been great to write about the Dragon of Mars stuff, John French could have been excellent for Mechanicum Machiavellian plotting, Chris Wraight could have shown the actual day-to-day logistics of Mars’ government and how it interacts with the Munitorum, Aaron could have shown the claustrophobic desperation of the Imperial Fists’ scramble to secure supplies… OK, the involvement of all of those authors with the Heresy series was some way off. But I’d also nominate Matthew Farrer, with his excellent ability to write about the 40K Mechanicus (or the Heresy Mechanicum, as ‘Vorax’ showed), as a person who could have made this book the visceral, disturbing novel it should have been. Of course, Dan would be my first choice for rewriting any of the first 10 HH books, but Dan was cooking up some marvellous shit about Prospero during this time, I think… I realise I seem to trash McNeill quite a bit on this blog, but with his “PurpleHeresy’s Most Improved” medal for ‘Angel Exterminatus’ and ‘Vengeful Spirit’, Graham himself would be a nice choice for a sequel.

Anyway, all this wishlisting is a waste of time, since Rob Sanders is apparently in line to come in with the sequel for this in novella form sometime next year. Here’s hoping that he will at least be able to match the original.

Well, I went in with a positive attitude, no one can deny that... but this falls short of the greatness it deserves – like too many of the early Heresy books. Y’all haters who shit on ‘Deliverance Lost’ and ‘Angel Exterminatus’ might need to re-read the late-2000s novels and check whether it really was all better back in the day. 6/10

New to PurpleHeresy? Head on over to the index page to see a more chronological list of the Horus Heresy reviews on this blog.

"Burden Of Duty" by James Swallow / "Grey Angel" by John French

2 OF AMERIKKKA'S MO$T WANTED

Burden Of Duty by James Swallow: For a long time I considered ‘Burden Of Duty’ (or ‘Garro: Burden Of Duty’ to some) the weak link in the Garro audiobook chain, since “NOTHING EVEN HAPPENS!!!!” Listening to it again, though, it seems to be an excellent addition to the ‘Silent War’ arc. The actors here are John Banks, Toby Longworth and Ramon Tikaram, and as always, Toby Longworth is great to hear as Garro: that unhurried elegance just on the right side of stuffiness.

James Swallow always starts his Garro dramas with a bit of a recap/overview of the Heresy series. Welcome for newcomers (though once again I have to state that people with no knowledge of the HH chronology who begin the series with a Garro audio drama are smoking crack). I’m not sure how well that will play when the rumoured prose collection of Garro’s audio adventures is printed, though – imagine an anthology where the first couple pages of every story is identical. Not a fun time.

The plot for this audio drama is pretty straightforward. Using a single-person ship and a falsehood, Nathaniel Garro infiltrates the Imperial Fists fortress-ship Phalanx and makes his way to the meditation chamber where all the Fists Librarians have been sequestered. The Imperial Fists apparently withdrew their psykers from combat duty entirely once the Edict was passed. The Librarians, led by a Brother Massak, awaken from their meditation and attack this intruder, but the fray is stopped by Rogal Dorn, who takes Garro into custody. Despite being pressed to account for his actions, Garro will not reveal the purpose of his mission – but it seems obvious he was intending to recruit the unused former Librarians into Malcador’s service. The drama ends with Garro released by Dorn, but the Imperial Fist Librarians remaining in seclusion. Like I said, fairly simple, but the worth of ‘Burden Of Duty’ is in the well-drawn characters, and the exploration of the motivations of two key figures in the Heresy and the ambiguity of their relationship.

Joe Budden Of Duty

Chronologically, I always assumed that this took place at the same time as ‘Grey Angel’ since they were packaged together on the same CD. However, a lot of people think this is set much earlier, long before Loken joined the Knights Errant. Since ‘Legion Of One’ was supposed to be the last recruitment mission by Garro, this probably takes place before that, but it really could be at any time after ‘Flight Of The Eisenstein’, since none of the other Knights Errant are mentioned.

I’ve made my dislike of Rogal Dorn quite clear on this site, but this drama illustrates how far a good performance can go in changing your mind about a character. Here, Dorn is stern and patrician, yet he has an underlying charisma where the character could have been cold and forbidding. I’m not sure who’s playing him, but they sound exactly like Horus in ‘Warmaster’, so it’s either Ramon Tikaram or Toby Longworth. It’s a stark contrast to the way Magnus sounds like a burbling idiot in ‘Thief Of Revelation’ – this is how to do a Primarch the right way. Effective, nuanced performance, not gimmicks. His attitude to Garro seems to have softened a little, I think there’s clear admiration there – but he also seems to see him as little more than a catspaw of Malcador, who he obviously has little regard for. The last lines of the drama show perhaps one of my favourite Dorn moments in the whole series, as a decision I’d assumed was down to his servile obedience to daddy is revealed to be something much more ambiguous. Overall, Legion and Primarch bias may stop me from ever truly liking this guy but if he’s handled well, he can be an interesting character at least. Comparatively, Garro isn’t given too much to do in terms of dialogue, but his quiet dignity is always appreciated. Brother Massak could be a promising addition to the HH cast – I’m interested to see what else they do with this guy – but is a bit of a blander version of Rubio at this point (down to the slightly intense whispered delivery).

Joe Biden Of Duty

‘Burden Of Duty’ is very subdued, which is an approach that works surprisingly well with BL audiobooks, considering the narrators usually get overexcited and start yelling if any combat is taking place. Here, the PEW PEW PEW lasers and VRRRRRRM chainswords are at a minimum: sound effects are mostly ambient and serve only to immerse you further in the story. Black Library bringing out a minimalist Pinter-esque drama with nothing but talking is very unlikely, but I vastly prefer this atmospheric stuff to the shouting and explosions stuff. Listening to this again made me remember how much I enjoy James Swallow’s Garro audios, and considering that I feel they’ve been getting better and better in order of publication, I have high hopes for ‘Garro: Shield Of Lies’. I give this a solid 8/10.

Grey Angel by John French: But wait, haven’t I already reviewed ‘Grey Angel’? Yeah, but it was one of the first reviews I did, back when the tone of this blog was… a lot more irreverent, and I felt the need to put a few jokes into every paragraph even when they didn’t fit. I wince a bit when I read that review, and listening to the audio drama again recently, I thought it might be fun to try reviewing it again.

Following his recovery from the blasted surface of Isstvan III, Garviel Loken, the Space Marine everyone thought was dead, IS BACK WITH A VENGEANCE! Actually he’s back with a subdued personality and a likely case of PTSD. At the request of Rogal Dorn, Loken and fellow loyalist Sixteenth Legion warrior Iacton Qruze have journeyed to Caliban to feel out the allegiance of the Dark Angels posted there, and inform them of Horus’ treachery should they prove loyal. Captured by the First Legion and interrogated by Luther, Loken realises the loyalty of Caliban is no clearly-defined state. The ‘Grey Angel’ of the title could be Garro, clad in his new featureless armour – but more likely it’s Luther, standing not clearly with the light or darkness, but rather in the spaces between. Meanwhile, Qruze roams Aldurukh and encounters a mysterious Dark Angel whose motives are similarly unclear. Like ‘Burden Of Duty’, the voice actors here are John Banks, Toby Longworth and Ramon Tikaram.

I’ll just briefly reiterate what I spent most of my original review banging on about: HOLY SHIT, THAT LUTHER THOUGH! The performance here for the Lion’s former best buddy is really, really good. While there is arguably even more arrogance and malice in Luther’s voice than Hakim in ‘Sword Of Truth’, here there’s a contrasting edge of wounded pride and nobility we didn’t see in the White Scar’s portrayal. (I mention Hakim because I swear Ramon Tikaram is doing the voice for Luther – which is an oddly fitting redemption for a great voice actor). Luther is obviously a more complex character than the two First Legion novels have showed him – and actually, more complex than even the fairly subtle creature shown here. At least we’re starting to mine the character’s potential – I really hope there’s a lot of Luther in the upcoming Horus Heresy Dark Angels work (and, to be honest, that a writer a bit less ‘meat and potatoes’ than Gav was writing about him). The other voice actors are far from bad – in particular, Loken’s performance is very strong – and the narrator is also good despite the over-excited rushing through action scenes, but Luther is the star here.

luther had a dreaaaaaaam
horus had a dreeeeeeam
the emprah had a dreeeeeam

‘Grey Angel’ has been criticised for its possible deviation from the established chronology of the Dark Angels. While Luther and the banished Dark Angels who would become the Fallen were only part of the Great Crusade for a very small amount of time according to ‘Descent Of Angels’, ‘Grey Angel’ asserts that they took part in many significant actions and fought alongside many of the other Legions, notably the Luna Wolves – and that Loken is well-acquainted with at least one of their number. I do really like this idea and a Luther/Abaddon team-up is an awesome concept, but I’m sure that the time Luther was at the Lion’s side in the Crusade was around a year or less, most of which is covered near the end of ‘Descent’. Also, Luther cracks on to know nothing about the Heresy, but at the end of ‘Fallen Angels’ it’s established that the news of Isstvan had reached Caliban. You could assume that Luther is just lying because he’s a deceitful character, and that the war-damaged Loken is easily convinced because he wants to believe the full extent of Space Marine treachery has already been revealed. You could also assume that John French didn’t read ‘Fallen Angels’ recently (or ever, and who would really blame the guy) and forgot that Luther was aware of the Heresy. 

I’m not one of those people who throws their toys out of the pram when the order of events in HH is a little unclear (it’s pretty much expected in multi-author undertaking like this) but I really think in this incidence, the possible botch is problematic. I try to be optimistic, especially where John French is involved, so I’d hope that Luther’s playing a long game here rather than this just being an authorial mistake. Still, Gav seems to have taken over the Dark Angels writing now, and Gav is pretty good at ironing out chronology errors, so hopefully he'll write something about this. The fact that ‘Guardian Of Order’ and ‘Master Of The First’ didn’t mention the events of this drama makes me wonder if he'll just ignore it though. I’m also much less confident now that the mysterious Dark Angel who helps the Knights Errant escape is Zahariel; his comments about his plan to “watch and guard in silence – [the same as] those who came before me” make me think that it’s Cypher. Since Cypher is probably going to get a lot more character development once Gav focuses on Caliban, this is one strand of the story I’m very confident will be picked up.

There are more pressing issues with the plot than the ambiguity of Luther’s words. Loken’s insistence on not disturbing the Caliban ‘balance’, and the cryptic words of the Watcher who assists him, are not my favourite parts of this drama – they seem a little contrived, a way of extracting these characters from this precarious situation with nothing resolved and little of consequence happening. In fact, the dramatic conflict near the end of the drama is probably the weakest part, though the aftermath of this conflict sees the writing improve once again.  ‘Grey Angel’ has flaws, and as a story, I’d give it 7/10, but the performances of this audio version – particularly Luther’s theatrical menace – really bump it up, so it’s 8/10 for me.

There are a few thematic links between these stories: as well as honourable characters being forced to commit subterfuge and ‘shadow actions’, the significance of dreams is emphasised few times. Whether that’s the visions of Heresy which come to Brother Massak when he sleeps, the flashbacks of dead comrades who haunt Loken’s scarred mind, or Luther’s bitterness at his inability to dream since the Imperium “changed” him. Then again, one could argue that the true link between the stories is the feeling of “coitus interruptus”: you think it’s heading towards a resolution, so to speak, only to stop short at the last minute, rather frustratingly. I really wanted Massak to leave the Phalanx with Garro… but he didn’t. I really wanted Loken and Qruze to uncover some significant and obvious treachery in Aldurukh and let Malcador know Luther couldn’t be counted on… but they didn’t. Of course, we can’t always get what we want - but you could argue that by virtue of these downbeat endings, the protagonists achieve nothing in these stories. I think the common 40K messageboard meme that Malcador’s assignments are pointless wastes of time is generally nonsense… but unlike with ‘Garro: Legion Of One’ or ‘The Sigillite’ it seems unclear here what Malcador was really trying to achieve with his mission – realistically, how could Garro hope to escape the Phalanx even if all the Librarians joined his cause? And Dorn’s task was just as bad: if the Calibanites had declared for Horus, the Knights would have been fucked, and even if they were faithful to the Emperor, why would they believe or obey two anonymous, Legion-less warriors? Still, when the stories are this well-presented and the performances are great, I’m not going to complain too much. It actually worries me how well this will translate to the prose format because Dorn and Luther are performed so well that I can’t really tell how the writing will stand alone.

I honestly think John French and James Swallow might be the best at the audiobook format. Definitely looking forward to what happens next in the Knights Errant storyline; following the action-packed but sometimes jumbled handling of it in ‘Vengeful Spirit’, it might be nice to return to the subtlety of these two stories and give the characters some space to breathe.

New to PurpleHeresy? Head on over to the index page to see a more chronological list of the Horus Heresy reviews on this blog.

Black Library Weekender III: "I'm Getting Money, I Think I'm MC Hammer"

No, I didn't attend the third Black Library Weekender... I'm borderline agoraphobic at the moment, and also a bit ill (and a bit broke). Still, starting Sunday I was eagerly trawling the internet for any info about this event.

The last few days, as attendees started to shake of their hangovers and post about BLWIII's announcements, I've been pretty excited at the release schedule taking shape; my bitterness about the disappointing 'Legacies Of Betrayal' lineup is all but forgotten. Unfortunately as per usual I had to wade through all kinds of bitterness, anti-BL circle jerking and general hate/ignorance while I was trying to get the facts. Same old story, it's pretty much why I avoid the forums whenever possible, but I always enjoy seeing the posts from the few users who obviously enjoy reading the series.

I've taken this opportunity to update the Index Page with some of the confirmed Horus Heresy release information and some of the rumours as well (although I'd say pretty much anything discussed by the authors at the Weekender can count as 'confirmed'). My main source here was Nico, who sometimes posts as Death-Nikorps, and is @blacklibrarium on Twitter. Shout outs to Nico, your enthusiasm and positivity is always nice to read - and thanks for the scoops!

I've also decided to take 'The Shattered Legions' and 'The Silent War' off the Uncomfirmed Projects list. It feels like nobody's talked about them for a while, and they were probably unofficial groupings for arcs rather than a planned anthology release.

Some thoughts here:

Stealth Alpha Legion novella release! Would we want it any other way? Having read a few things about the storyline of 'The Seventh Serpent' I am confident I'll enjoy this when I actually get to read it (hopefully it will go on sale on the BL website in the next few months). It almost feels like BL are letting every author give the XX a shot, I look forward to reading Graham's take on the sons of Alpharius.

On a less positive note, I'm lacking in any optimism about 'Deathfire'. My interest in the Salamanders remains low. My interest in Vulkan remains low. My faith in Nick Kyme's ability to write a good novel remains low. I'm sure it won't be bad, but if it's anything like 'Vulkan Lives', it may be a struggle for me to get through. If this is a book about stoic Isstvan survivors struggling to come to terms with their Primarch's absence and pondering at length on how best to strike back against the traitors... well, fuck. On the other hand, if it's an Imperium Secundus book focusing on Vulkan's sons clashing with Guilliman's authority, and their Primarch's resurrection/rehabilitation - that could be an interesting scenario. But... the cover art really makes me think it's the first one, 

Looks like a lot of HH audio dramas over the next few months, which I'm definitely pleased about, and they're mostly from authors/storylines I'm a fan of. In particular, I look forward to 'Iron Corpses', which I assume is a continuation of John French's Tallarn storyline (the Battle Of Iron Corpses being a significant action in that conflict).

Aaron has bowed out of the Heresy lineup for now, preferring to focus on the second Abaddon book. I have mixed feelings about this, which I'll probably explore in my 'Talon Of Horus' review, but there certainly seem to be several 'young blood' Heresy authors to replace him - Guy Haley, David Annandale and Andy Smillie are all making waves, after all.

It doesn't seem like there'll be a Death Guard or Mortarion-focused book in 2015. Oh well. A couple more short stories or an audio drama would tide me over, but I really hope 2016 sees a full novel or at least a novella... and that Chris Wraight writes it.

Lastly: Horus Heresy Weekender 2015 dates have been announced, and I'm determined to attend - I'm so sick of getting pissed off about the event-only anthologies, why not do something about it? Hopefully I'll manage to act naturally and not freak out (well I doubt there'll be many girls there so I'll probably be fine).

"Child Of Night" by John French / "Daemonology" by Chris Wraight

Well, my ‘Mechanicum’ review has stalled a bit. I’ve been distracted by other stuff the last couple months, most recently the World Of Fire And Ice ‘history’ book from George RR Martin but also Borderlands 2 – great video game, horrible writing – and listening to YG’s mixtape Just Re’d Up 2 an unhealthy number of times. THAT’S ON THE SET, HOMIE

Enough about NON BLACK LIBRARY LIFE! I know what people come to this blog for, when they come at all…

So as you might have gathered from a few comments in previous reviews, when I found out ‘Legacies Of Betrayal’ was no novella collection but an apparently randomly selected grab-bag of previously available material, with only two stories included that weren’t already out there in some form (‘Spirit Of The Conqueror’ by ADB and ‘Serpent’ by John French) I was… bitter. My resentment grew a little when I saw that ‘Spirit Of The Conqueror’ was included in ‘Death And Defiance’ as a teaser for ‘Legacies’, and it turned out to only be a few pages long. I’d like to believe that was just an extract from ‘Spirit’, not the full text, but… I’m not optimistic.

Yet my resentment has ebbed a bit in the last couple weeks. It’s been announced that the fourth Forge World Horus Heresy book, ‘Conquest’, dealing with the Sons Of Horus and Death Guard’s actions post-Isstvan V, has a ‘Winter 2014’ release date. We’ve also been told that Andy Smilie’s Flesh Tearers book, ‘Sons Of Wrath’, will deal with events surrounding the Chapter’s founding, meaning it’ll be immediately post-Heresy, a time period I’m extremely interested in. That’ll be out December as well (earlier, if you want the First Edition). Hell, the great audio drama ‘Parting Of The Ways’ released in October dealt memorably with the post-Heresy period for the Space Wolves, and their slow decline before and after Russ’ disappearance. In terms of the Heresy series proper, ‘Master Of The First’ was a (surprisingly) gripping Gav Thorpe audio drama about the Fallen Angels on Caliban, and Aaron Dembski-Bowden’s long-awaited continuation of the Sevatar story, ‘The Long Night’, will hopefully follow this month, also in audio form. The first Garro audio drama in well over a year, ‘Shield Of Lies’, is set to drop in early December. And no doubt the Black Library Weekender will see a bit more of 2015’s release schedule information announced, including confirmation of the 32^nd book in the HH series, and hopefully cover art too. All in all, Quarter 4 of 2014 is not looking as much a fallow field for HH enthusiasts as I worried it could be.

Anyway, I’m not here to talk about that. I’ve already reviewed ‘Death And Defiance’, and I’ll hopefully review ‘Master Of The First’ soon. This is about two ‘Digital Monday’ shorts Black Library released this week and last week, providing further reassurance that they still give a fuck about the HH series, and that they in fact have some of their best guys on it.

AWW MAN WE GOT DIFFERENT COLOURS AND ALSO SKULLS

“Child Of Night” by John French: Fel Zharost, First Librarian of the Night Lords, is a character we’ve not met before as far as I recall. And, well, there’s a reason for that: as this story starts, he’s been an outcast from his Legion for many years, and is hiding in the ‘sinks’ on Terra – the dark underground cities/prisons which the Night Lords originally took their recruits from, and where Fel Zharost’s life began. The Terran days of the Eighth were an element John French expanded on brilliantly with Alan Bligh in the Forge World book ‘Massacre’, and he flawlessly transposes that ‘fluff’ to a narrative setting here.

Child Of Night’ flashes back to key moments of his lengthy service, beginning with the first time he encounters Astartes and his psychic gift manifests – a memorable and excellent scene, which establishes the ambiguous nature of Zharost’s relationship with his Legion. We also touch on the period where the Eighth were the ‘watchdogs’ of Unity, bringing the Emperor’s retribution down on untrustworthy allies and traitors using torture, psychological warfare and terror tactics. Zharost fulfils these duties with aplomb, but no particular relish. We see Zharost’s disgust and disillusionment with the changing culture of the Eighth writ large in a tense confrontation between himself and Sevatar over the Edict of Nikea, a scene which shows both men letting their masks slip more than they would like. Last but not least, we see Zharost’s present: cornered by an Astartes from an unknown Legion in the prison sinks of his birth, the Librarian feels that the Emperor’s justice has come to him at last for his neglect of his duties. But COULD THINGS BE QUITE AS THEY APPEAR? Erm, well, no.

You know what makes a short story damn near classic? A compelling lead character, and Fel sure fits that bill. A Terran, and a psyker, we get the feeling he considered himself something of an unwelcome presence among the Nostramans, who have been known to distrust witches. (Anti-Terran feeling doesn’t seem to have been prominent in the Eighth, but not all of a Night Lord’s paranoia needs to be warranted.) He also seems to have been less gleeful than many of his Terran kin about the Legion’s shift into manic sadism. Event after this quite short story, I’m very eager to see where Zharost’s story goes – if the heavily-implied truth is that he’s going to be a new Knight Errant, I think he might be an excellent fit with Garro, Loken and co; as an older, Terran Legionary, he could be a replacement for Iacton Qruze (though of a darker hue). Due to his psychic gifts, Zharost also seems like a possible candidate for a founding Grey Knights Grandmaster as well – which would certainly upset the fan theory that Sevatar was one of the first heroes of the 666^th Chapter.

The writing is excellent throughtout; Frenchie really seems like one of the most reliable authors in BL right now – I’m really looking forward to whatever his next project is, and I hope he gets a crack at another Knights Errant story in the near future. With this, and ‘A Safe And Shadowed Place’, a cynical man might think BL are auditioning authors to take up ADB’s crown as King Of The Night Lords, considering that Aaron has implied he wants a break from HH (perhaps a long one) once ‘Master Of Mankind’ and hopefully ‘Nightfall’ are done. I’m not complaining; Aaron’s left a strong foundation for his colleagues to build on, and Guy Haley and John French have shown they are more than capable of working within the parameters of what’s come before. If what we get is this good – well, I say let the Dark King take his break.

I give this 9/10.

“Daemonology” by Chris Wraight: Oh shit, a MORTARION story! You know I was on it like a bonnet. This is a dual narrative, knocking back and forth between the Death Guard’s assault on the Library World called Terathalion, soon after the events of ‘Scars’, and a confrontation between Mortarion and the Sigillite during the Great Crusade, after he’s been recovered from Barbarus but before he takes command of the then-Dusk Raiders. As I’ve said, I was… dissatisfied by the change in Mortarion’s attitudes between ‘Scars’ and ‘Vengeful Spirit’ regarding sorcery… but I also understood there was room for more fiction between those books to tell us how it got this way. And… well, I was hoping for a whole book, at least a novella, but this story could be it. But guess what? That’s all I need, because ‘Daemonology’ is a perfect bridge between the hardline witch-hunter of ‘Scars’ and the cautious sorcerer of ‘Vengeful Spirit’. Sacking Terathalion to capture one daemonhost human (but also because he loves to destroy worlds, and the fact that this one was beloved of Magnus doesn’t hurt), Mortarion hopes the neverborn will be intimidated enough by his threats of physical pain that they’ll help him understand the horrors of the Warp. Not because he wants to use the Warp, of course; because he wants to be better armoured against its dangers. Is this dude naïve or what? The daemonhost is a great character and its own arrogance and smugness is nicely set against Mortarion’s aggressive ego.

A WALKIN STUDY INN A DAEMONOLOGY HAAAAAYYY

The only thing I’d complain about here is that there was no time to flesh out the Death Guard Legion’s character – great scene of their method of planetstrike, but no captains or line soldiers are given any lines to say, and there’s no indication of how the Death Guard feel about Mortarion’s defeat at Jaghathai’s hands, or his increasingly unstable behaviour. The focus is absolutely on the Death Lord. It's totally understandable, since this is a short story, and I’m really happy with the way he was portrayed, but I think his Legion desperately needs some non-Typhon characters. A shitload of them are going to have to die before or during the Siege, after all.

As for the flashback stem of the ebook, Wraight shows once again that he is the definitive writer for Malcador in the whole HH stable. These flashback scenes are much less action-packed than the ‘modern’ ones, but they contain some welcome fleshing-out of the Death Lord’s character. It shows nicely that Mortarion’s mental state was worrying to the Sigillite, especially considering his open hostility toward many aspects of the Imperium. The way he was placated by the prospect of one day having his day in the sun at Nikea is a great touch.

Mortarion is a wounded monster throughout the whole story, either recovering from his ordeal on Barbarus or his defeat on Prospero – the story catches him at two of his lowest ebbs. Sadly, we know it can only get worse for Morty. But that’s what makes him one of my favourite characters – his tragic fall, and his unbelievable arrogance; he’s utterly convinced he knows better than his father or any of his brothers. This slow and agonising journey into damnation is making up for the hash I think the BL authors made of Fulgrim and Horus’ initial descents. I am daring to hope that since his recent books and stories (both HH and not) have often featured the Death Guard heavily, Chris Wraight may be called to write the next HH Death Guard book which, well, hopefully exists in some form. As much as I enjoy James Swallow, I think Wraight would be the better fit. Mortarion barely featured in ‘Flight Of The Eisenstein’, after all, and Swallow didn’t leave much of a stamp on the 14^th Legion – that book was more about Garro’s journey than his past.

Enough speculation! I’m very happy to give this story 9/10 as well.

One last complaint: I use the Google Chrome free extension Magicscroll to read my Black Library ebooks and goddamn, they look like SHIT. I don’t know if this is a problem with the reader, or with Black Library’s formatting; neither would massively surprise me. Font sizes fluctuate wildly from page to page, the document clearly can barely handle bold and italic fonts being used, let alone both at the same time, and sometimes entire paragraphs – for no reason – are blue hyperlinks to nowhere. It almost – ALMOST – makes me want to buy a Kindle or something in hopes that the text might look a bit better. It’s not going to stop me reading these ebooks, of course, but it is one more reason why I personally favour printed over e-format. Maybe I should stop complaining and find a better ebook reader.

Anyway, apart from that little bit of whining, I’m extremely pleased at the high quality of these short stories. Here’s hoping Digital Monday is HH-focused at least a few times over the rest of this year.

New to PurpleHeresy? Head on over to the index page to see a more chronological list of the Horus Heresy reviews on this blog.

"Death And Defiance" (short story collection)

This is a bit of a first for Black Library. A Horus Heresy novella-length hardback which is available at a normal price from the beginning of its publishing cycle. No limited edition at double the cost and then it’s unavailable for two years. No ‘event only’ availability. As pissed off as I am about what I now know regarding 'Legacies Of Betrayal', I’m glad Black Library can pleasantly surprise me with stuff like ‘Death And Defiance’. 

Fulgrim looks like fucking shit! What is this, a Conan book?

Despite what I personally think is one of the worst pieces of HH cover art in years and years, I was fucking PUMPED to buy this collection right after Warhammer Fest finished and it went on sale on the BL site (with surprisingly little fanfare). There are five stories here, written by some old faces and some new. Let’s get right into them.

Imperfect by Nick Kyme: Nick is very uneven as a writer, in my opinion – but his audio drama ‘Censure’ is a firm favourite of mine, and the micro-story ‘Phoenician’, concerned with Fulgrim and Ferrus’ Isstvan showdown, impressed me a lot. So I was excited to find he would be tackling those characters again in this collection. Here, Fulgrim and Ferrus face off across a regicide board, but is their good-natured banter all that good-natured? Is this regicide game everything that it seems? Any time that question is posed, the answer’s going to be “no”, isn’t it? Man, at this stage of the storyline, I would kind of get a kick out of it if the regicide game was just some flashback to happier times (ending with a soft-focus montage of Ferrus and Fulgrim riding their bikes, laughing, while Bruce Springsteen’s ‘Glory Days’ plays). But that’s not what’s cooking here. Since this is Purple Heresy and not a site by actual professionals who put effort and journalistic ethics into making good reviews, I’m just gonna spoil the shit out of this. The ascended Daemon Prince Fulgrim has cloned Ferrus Manus many, many times and is playing a regicide game against each one – I believe the story implies that he is trying to see if there is some chain of events or line of reasoning he can put into play that would result in Ferrus’ loyalty switching to Fulgrim (and Horus) rather than the Emperor. Sadly, each attempt ends in failure, with each clone trying to kill Fulgrim and failing. You’d have to eventually say, could we not just play 2-player Halo or something?

I do really like some elements of this story. Nick’s Fulgrim is different to the preening, histrionic drama queen Graham sketched so entertainingly in ‘Angel Exterminatus’. Here, Fulgrim is more subdued, more guilty, and his actions – if not his internal monologue – seem to present him as deeply ashamed of his failure to turn Ferrus, and the fratricidal incident this led to. He seems desperate to right this wrong in some way. An interesting twist on the characterisation of Fulgrim so far; we’ll see if it’s taken further.

I feel there is meant to be some big, shocking implication to the fact Fabius has some cloned infant with a “Cthonian birthmark” in his laboratory, but I assume this is foreshadowing for the cloning of Horus – something Aaron already wrote about in ‘The Talon Of Horus’. Then again, it seems a little early in the HH timeline for that event hundreds of years in the future to start getting set up, which means maybe this is going to tie into a different Sons Of Horus cloning plot. I think it’s too early to really give a fuck. Maybe he’s cloned Loken so there can be an evil Loken in the Mournival? At this stage I would not be surprised if Fabius was growing cloned Cthonian babies so that he could eat them alive just for kicks. I like the III Legion a lot so whoever writes them, I’ll read it, but after my initial optimism, it doesn't look like Nick Kyme plus Emperor’s Children is guaranteed to always be good. That new 40k Salamanders book he wrote sounds kind of interesting, but I’m still not hugely into the idea of another Horus Heresy novel by him. I bet it’s coming whether I like it or not, though. This one I give 7/10.

Howl Of The Hearthworld by Aaron Dembski-Bowden: A pack of Space Wolves bitterly protests their assignment as ‘watchpack’ to Rogal Dorn, then eventually accepts it. They get on a ship and start on some poor clerk guy. That’s pretty much the events right there, though of course there’s more depth to it that I’m not doing justice to. I probably won’t write much on this (I think it’s the shortest story here). My gut reaction is that these seven warriors will end up being the only Space Wolves present on Terra for the Siege, and will probably play some significant/tragic role there. Maybe we’ll see more character development before then, maybe they’ll start a brawl with Bror Tyfingr and get murdered, maybe they’ll never even reach Terra. The Space Wolves here did seem interesting and I certainly want to find out more about them, but as in some moments of ‘The Talon Of Horus’, it feels like Aaron is over-writing some of this stuff. I’m not saying every 40K novel has to be bleak, hard-bitten Mike Hammer type shit, but – though I hate to say it – it means that Aaron’s Space Wolves are just not as enjoyable to me as Abnett’s or Wraight’s. This would be fine (as different portrayals of the same Chapter are equally valid in 40K) if I didn’t feel like he was aiming for the same exact area as those two but JUST missing it. It may grow on me over time, but at this point I’d say ‘Howl Of The Hearthworld’ is the least enjoyable Horus Heresy material Aaron’s ever produced. Still, I didn’t like ‘Betrayer’ at first either. For now, I give this 7/10.

A Safe And Shadowed Place by Guy Haley: With Aaron’s portrayal of the Night Lords perhaps one of the most widely loved explorations of a Legion, it’s not easy to step into the Horus Heresy with a Night Lords story. Guy Haley has written relatively little Heresy fiction, but with ‘Shards Of Erebus’ and ‘Strike And Fade’ he showed he could stand with the big boys. I also really enjoyed his ‘Hunter’s Moon’ audio drama. Fucking good thing I did, because less than a year later it will be taking up like 20 pages in the "new" story collection ‘Legacies Of Betrayal’. That’s a rant for a different time, though. It’s ballsy that Guy’s jumping in with a direct sequel to ‘Prince Of Crows’, one of the fan favourites of the HH canon. He doesn’t follow Sevatar’s arc, of course (apparently set to continue in audio drama format this year); if anyone but ADB handled that, there would be riots in the streets. Instead, ‘A Safe And Shadowed Place’ deals with Skraivok, a Night Lords officer whose badly damaged ship has limped to the borders of Ultramar following the Dark Angels’ battering of the Night Lords fleet. Abandoned by the few captains that were accompanying him, he struggles to deal with his fractious command and the frustratingly slow repair of his vessel. The waters are muddied by Krukesh the Pale (a minor but memorable presence in ‘Prince Of Crows’) showing up with a much larger Night Lords fleet and starting to throw his weight around.

Guy seems to have studied Aaron’s Night Lord characterisation very closely, but he puts a lot of ideas in there that are clearly his own as well. While I wouldn’t call any of the characters here staggeringly original, Guy is a good writer of both action and dialogue, and while Sev’s barbed witticisms are sorely missed, there is some bleak humour here. I can’t believe Black Library let him put in the moment where our VIII Legion hero idly thinks to himself that a female bridge officer “looked like a screamer”. Yeah, I know he was supposedly thinking it in the context of considering skinning her alive, but… I’m pretty sure the innuendo was intentional. Hilarious.This was the first story in the book where I didn’t feel a vague sense of disappointment after reading it. With a growing Night Lords fleet presence lurking near Sotha, and Kurze still apparently on Macragge intending to wreak yet more havoc on Imperium Secundus, I’d assume this story is a one-off intended as further VIII Legion antagonistic setup for Dan’s sequel to ‘The Unremembered Empire’ – but I’d certainly not object to more Guy Haley Night Lords stories. 8/10.

Virtues Of The Sons by Andy Smilie: I think this might be the first Andy Smilie Horus Heresy story. He’s more famous for writing a lot of 40K-era audio dramas and novels, most of which seem to be about the Flesh Tearers. Black Library’s frequent attitude of thinking someone is perfect for Horus Heresy books about a Legion because they write about that Chapter or its successors in 40K books has not always resulted in the highest quality books. Here, though, I reckon they’re on to something. Smilie obviously has a real ‘feel’ for this Chapter and is keen to get his teeth into their origin story. Of course, Amit, ‘the Flesh Tearer’, the possibly-Khornate Blood Angels warrior with anger management and impulse control issues, is a prominent character in this story, but it’s not all about him. Sanguinius and a Blood Angel called Azkaellon are also heavily featured. Primarch writing is always tough, I think, but Smilie writes Sanguinius possibly a little better than James Swallow did (yes, that is a compliment, I really liked ‘Fear To Tread’). As for Azkaellon, his juxtaposition with Amit makes me think he’s also going to be a Blood Angels Successor Chapter founder, but I can’t be sure about that. I could do some research, but I kind of prefer to be surprised in this case.

This kind of has the opposite problem to a lot of HH fiction: it’s very well written, but the events here, taken by themselves seem a little insignificant. The cynical side of me thinks this is a little bit of foundation-laying for ‘Sons Of Wrath’, the book about the first years of the Flesh Tearers Chapter following the end of the Heresy and Sanguinius’ death. I was planning to buy that book anyway, since immediately post-Heresy fiction interests me almost as much as the HH series itself, but knowing Smilie writes this well made me realise it’s going to be a mandatory purchase. Perhaps I’ll be grateful for ‘Virtues Of The Sons’ once ‘Sons Of Wrath’ is out, but for now, I’m giving this 7/10

Gunsight by James Swallow: My lengthy and quite whiny review of ‘Nemesis’ may have mentioned that this story was on the cards. I don’t know if anyone was after a ‘Nemesis’ sequel starring Kell the Vindicare Assassin; ‘Nemesis’ wasn’t super-well received and I get the impression most people thought Kell died at the end. But fuck me, this is really good. Kell is aboard the Vengeful Spirit, a lone gunman in the truest sense, consumed by an obsessive desire to finish his mission. The way that Horus’ shift in allegiances has changed the Spirit is really well captured; I liked what Graham did in his book, but I think Swallow just has a more evocative way with scene-setting. He also tackles one of my favourite themes in the 40K universe: the insidiousness of Chaos, and how easy it is to be corrupted especially when you believe yourself incorruptible. This is the other side of the coin shown in the Gaunt’s Ghosts series, where Gaunt and his men are able to overcome the darkness by clinging to their faith and their basic human decency. Kell is not so lucky. Still, there are some surprising twists along the way, and the door is very much open for a continuation of Kell’s ‘mission’ (in a way). I almost wanted a full-blown ‘Nemesis’ sequel after this… well, maybe just a novella, since this also reinforced my opinion that James Swallow is really good at short stories. Him becoming a near-exclusive audio drama/short story guy is a smart deployment of his talents. Against all odds, this is an excellent story; I give it 9/10.

So overall, this book didn’t have a collection of top-notch stories, but considering my least favourite was one of the shortest and my favourite was the longest, I can forgive a little inconsistency. I hope Black Library releases these a bit more frequently. It might take the sting off them apparently thinking a HH story anthology’s primary function is to be a fucking recycling dump. In the midst of all my bitter ranting I give this one 8/10. 

New to PurpleHeresy? Head on over to the index page to see a more chronological list of the Horus Heresy reviews on this blog.

"Hunter's Moon" by Guy Haley / "Thief Of Revelations" by Graham McNeill

Black Library released these two on the same CD, so I'll review them together, though they are completely separate stories.

YOU THOUGHT IT WAS AHRIMAN BUT IT WAS ME! DIO!!

'Hunter's Moon' is by Guy Haley and concerns the ongoing conflict between the Alpha Legion and Space Wolves touched on in ‘Scars’ and ‘Wolf’s Claw’. This time, events are witnessed by three fishermen on a planet called Pelago who find a crashed Astartes vessel and get more than they bargained for when they investigate: Torbjorn, a Space Wolf, the only remnant of the Watch-Pack sent to Alpharius’ side. The cast here are Gareth Armstrong, Angus King and Toby Longworth. I felt that the three fishermen were excellently acted; you have the callow, ignorant youth, the wise elder, and the sympathetic 'mid-point' who mediates and has a nice, reassuring Scottish accent. The Space Wolf is not as subtly performed – or subtly written – as the human characters (unsurprisingly, I guess), but still he was very good.

Pelago is like many Imperial worlds: dedicated to the secular Truth, but also not completely ‘enlightened’ or up-to-date with the state of the Imperium. Talk about “star giants” and “men sailing the night in ships of steel and fire” and “monsters swimming in the sky’s night” sounds like superstitious nonsense at times, but they are obviously talking about the Great Crusade, just in more poetic terms than we might be used to. I was reminded of ‘Prospero Burns’, which for me is never a bad thing. I’m also always fond of stories which show how the galaxy-wide Heresy affects the lives of the countless billions of normal people whose worlds are being fought over.

As HH fans we can easily surmise why this Space Wolf warrior has been left stranded and alone on a crashed Alpha Legion gunship, but the way the story slowly fills in the blanks leaves it very suspenseful and worthwhile... at least until the last part of the story. The ending was disappointing and felt a little abrupt. I feel like BL authors’ increasingly frequent portrayal of the Alpha Legion as actively cruel and sadistic is odd. ‘Legion’ set them up as an unknown quantity for the Heresy time-period, motivations not entirely clear, but possessed of a lot of likeable qualities (and a lot of terrifying ones) – overall more callous and unfeeling than malevolent. While some HH stuff is running with that ambiguity, like ‘Scars’ or ‘The Serpent Beneath’, I feel like there’s been a gradual slide towards “They’re just some assholes” (ie, this story, or the slightly disappointing background for them in the Forge World book ‘Extinction’). Mind you, keep in mind that we are seeing the sons of Alpharius through the eyes of a terrified fisherman who’s befriended their adversary, so it’s not like we’re going to get a measured exploration of the character of their Legion. Also, I guess there are going to be a wide range of personalities across the XXth Legion, and some of them are going to be, well, just some assholes. I guess when it comes down to it, I’m just bitter that Dan Abnett isn’t writing every Alpha Legion book and that the ‘Legion’ approach of “What even ARE the Alpha Legion? It is a mystery, dogg!” has been ditched somewhat.

Still, this is an engagingly told story, and I have a weakness for Scottish accents, so that pushes it back to 8/10. I really hope Guy Haley has some more Horus Heresy stories coming.

'Thief Of Revelations', by Graham McNeill, is concerned with the Thousand Sons Legion. As we know, not much has been written about them since Graham’s book ‘A Thousand Sons’ which left them shattered and bitter in the Warp, licking their wounds. So it’s kind of nice to see what the survivors from the Burning Of Prospero are up to on the Planet Of The Sorcerers… but this section doesn't really add anything to their characters. Amon is still a self-important know-it-all (in fact, so is Ahriman), Sobek does fuck-all, and Hathor Maat is still vain and flippant. There is a nice scene where Ahriman is taunted by a 'flesh-changed Astartes' (he seems not to fully grasp what it is, but the way it's described just sounds like a straight-up Possessed Space Marine). Still, this whole introduction felt a little... pointless to me. They're disturbed by the Flesh-Change, and frustrated by Magnus' refusal to do anything about it. Really it didn't seem to tell us anything that the ending moments of 'A Thousand Sons' or that scene from 'Aurelian' haven't told us already. Next, Ahriman seeks an audience with Magnus. This does present one of the best moments of the story: the description of Magnus’ tower. A very important element of the Crimson King’s myth even post-Heresy and Graham gives it the respect it deserves. We also get some great little details that I love, like how the Thunderhawk Ahriman uses has been changed by warp energy so that it is actually becoming similar to a hawk. You might think that’s hecka dumb but I love that idea.

While the description of Magus himself is also excellently done, I’m frustrated and unimpressed by a lot of the dialogue between Magnus and his wayward son. There’s a bunch more cryptic dick-waving about how Ahriman should definitely stop trying to find a way to stop the hideous mutations that are slowly destroying more and more Legionaries... but also a refusal to fully explain why Ahriman should stop, or what Magnus will do to remedy the shit situation they’re in. "No just do what I say though, powerful psyker who has shown clearly that he distrusts me and has a dangerous propensity for rebellion and free-thinking. DO IT THOUGH! SHUT UP!!!" Man, some of the Primarchs are complete assholes (or perhaps... slightly poorly written).

The ending of the drama is very entertaining, though, with Magnus showing Ahriman where some of the Primarchs are, and dropping dark hints about the roles they may play in the future. The conclusion of the Thramas Crusade between the Night Lords and Dark Angels is shown, as well as the dark fate of the Blood Angels at Signus Prime, and the sack of Guilliman's Five Hundred Worlds by Lorgar. Nice to get another dimension to these significant events… but while this seems intended to give a cryptic snapshot of Magnus' intentions and current mindset, it seems very clear which way the Thousand Sons’ Primarch is leaning. Despite an extremely confusing closing line which I still can’t really make sense of, it really feels like Magnus is 90% decided on throwing in with Horus. I’m a bit unsure on how, exactly, a novel’s worth of drama can be spun between this point and the point at which the Thousand Sons turn. But hell, Graham can often turn stuff that seems insignificant into a great story, IMO (see ‘Angel Exterminatus’ and ‘Vengeful Spirit’).

The actors for this drama are Gareth Armstrong, Martyn Ellis, Jonathan Keeble and Toby Longworth. It’s hard to portray a Primarch in an audio drama, since they are beings almost beyond human comprehension – Legionaries are hard enough. So I know that this was a real challenge to pull off – but in my opinion, the way they did Magnus’ voice sounds like SHIT. And Ahriman also sounds ancient and querulous where (I feel) he should sound strong and authoritative. The bitter musing of “Was it worth it, Russ?” is spoken in a tone more suited to “Get off my lawn you dang kids!” The narrator is very good, though - I'm pretty sure it's Toby Longworth. If it is Toby, he’s delivering a more restrained performance than he often does. The other Thousand Sons only appear relatively briefly, and their performances aren’t really worth discussing too much – not bad, not notably excellent.

I honestly question the wisdom of making this an audio drama. It feels like most of this would have served excellently as the first chapter of 'The Crimson King', the full-length Thousand Sons novel Graham is doubtless working on now. However, I bet 'Crimson King' isn't out for another year or two so I guess it's fair play that BL want to ensure the Thousand Sons are kept in our minds. Due to the issues I’ve outlined, this just misses being an 8, so I’ll give it 7/10. That Ahriman voice just puts me on edge.

This marks (probably) the last time I’ll buy a Black Library audio drama on CD. I was just doing it from some weird stubborn sense of obligation, but I never actually put any of them in a CD player – just ripped them to my PC and listened to them on that, since I find headphones the only way to go with this form of media. From ‘Templar’ onwards, I’m all about the MP3. Still not crazy about ebooks, though…

One thing I really feel is necessary to state is that the musical score is superb for both audio dramas. Generally an exercise in understated ambience... but there were moments where the musical accompaniment to the reading was so perfect, it gave me chills. The piano-heavy horror movie atmospherics in the last segment of ‘Thief Of Revelations’, in particular, seem like they might be the best soundtrack for a Horus Heresy audio drama so far. The sound effects are excellent as well. I really love the constant lapping of water in 'Hunter's Moon', and the howling winds on ‘Thief Of Revelations’. Christian Dunn produced both of these. I don’t know whether that means he helped with the soundtrack (probably not, this ain’t hip-hop) but simply from the excellent performances of most of the voice actors (especially in ‘Hunter’s Moon’) makes me hope he can produce more BL audio to this standard. If it takes him away from writing, it can only be a good thing...

New to PurpleHeresy? Head on over to the index page to see a more chronological list of the Horus Heresy reviews on this blog.